10 in by 8 in ink and acrylic monoprint and paper collage on paper, 2012.
For Sale: $30 USD
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The white paper was torn from a reading workbook on alienation and relationships. Ink and acrylic prints were layered, each a personal response to the previous layers.
10 in by 8 in, acrylic, ink, and collage on paper, 2012.
For Sale: $35 USD
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The process for these collage pieces was intuitively based on my response to form and composition.
11 in by 8 in, acrylic, ink, and collage on paper, 2012.
For Sale: $20 USD
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I Don’t Stay Out Late is a collage piece created for Printmaking I at Brevard College.
9 in by 6 in, acrylic, gel transfer, and paper collage on paper, 2012.
For Sale: $25 USD
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A pen and ink drawing of Joan Miro using horizontal line to establish value. The image is based on a 1935 photograph by Carl Van Vechten. Miro is one of my favorite artists and has been an influence in subtle ways on the work I do.
10 in by 10 in, acrylic on paper, 2008.
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We had an assignment for three works of art of the same subject, each in the style of a different artist that we admired. The third artist I chose, Joan Miro, is one of my absolute favorites. This is also my favorite of the three papermill paintings. The most effort was also devoted to this one, as there were many preliminary sketches playing with different ways of representing the structures of the mill. I have had some requests, so I am considering having a series of prints.
?? in by ?? in, acrylic on paper, 2010.
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We had an assignment for three works of art of the same subject, each in the style of a different artist that we admired. I choose to work in the style of Luigi Loir for Canton Papermill II. It doesn’t capture his style much at all, in my opinion. The muted melancholy color palette is fair enough. The greater struggle was seeing light rather than objects, which is where I feel Loir works from.
?? in by ?? in, acrylic on paper, 2010.
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