The still life was built inside a shoebox using objects found around the campus, and then drawn using micro pens. I didn’t really enjoy working with the pens; they were too hard and precise. The previous project was with charcoal, which I find much more fluid and responsive.
11 in by 8 in, ink on paper, 2008.
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Across Main Street from our apartment was a tienda Mexicana that I went to frequently, and on the corner was an old clockshop where they sold and repaired clocks and watches. For a perspective assignment in Drawing II at A-B Tech, I decided to draw a series of images of this block. The perspective in this drawing emphasizes the clockshop, though the tienda Mexicana is just down the street. Another drawing focused on the tienda, which the owner now displays on the wall behind the counter. The paper is a cornflower paper, which has blue petals embedded.
12 in by 19½ in, ink and gouache on cornflower paper, 2010.
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A collaboration series with Willis Kallay at Brevard College. We hand-cut a set of three stencils based on a scan of a maple seed found on campus.
Each about 11 in by 9 in, ink on paper, 2012.
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The photographs used in the mixed media Between the Heaves of Storm came from a book on abnormal curvatures of the spine. Of course, they serve their purpose along the text, but they also seem so demeaning, yet cold and analytical.
10 in by 8 in mixed media on paper, 2012.
For Sale: $35 USD
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